The industry’s shift to hyper-realistic wardrobe (where characters repeat clothes, and shirts are not ironed) began in the 2010s, mirroring Kerala’s own rejection of cinematic gloss in favor of naturalism.
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As long as Kerala continues to be a land of paradoxes—radical yet conservative, literate yet superstitious, beautiful yet violent—Malayalam cinema will be there, holding up the mirror. And unlike the polished, airbrushed mirrors of other industries, this one is stained with chai, cracked by political stones, and framed by coconut trees. literate yet superstitious
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