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During production, Spielberg and cinematographer Dean Cundey filmed more image area at the top and bottom of the frame than what was shown in theaters. Widescreen "mattes" (black bars) were placed over the top and bottom of the image for cinema projectors.
Here’s the radical choice. Jurassic Park was composed for 1.85:1. The v10, however, presents the full 1.33:1 (4:3) camera negative area—but intelligently windowed. "Super Wide" in this context means a hybrid: the widescreen horizontal field of view is preserved, while the vertical reveals that was always intended to be masked in theaters.
For those tired of the "waxed" look of modern 4K transfers, this is a revelation.
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This version is a landmark for film preservationists on forums like FanRestore
: The resolution of the digital scan (1920x1080 pixels), optimized for standard high-definition displays.
