Tsui Hark’s workshop utilized innovative wirework, blue-screen optical effects, and practical animatronics to create a visual landscape never before seen in Asian cinema.
If you have never experienced these films, find a restored 4K print. Let the mournful pan-flute music wash over you. In a world of soulless CGI blockbusters, the image of Joey Wong floating through a ruined temple, her silk ribbons trailing through moonlight, remains the definitive image of cinematic enchantment. A chinese ghost story I II III -1987-1990-1991-...
Directed by Ching Siu-tung (choreographer of Hero ) and produced by Tsui Hark, the original film was a revolutionary departure from the staid Shaw Brothers productions of the prior decade. It took a classic Qing dynasty tale from Pu Songling’s Strange Stories from a Chinese Studio and injected it with 80s MTV pacing, wire-fu poetry, and tragic romance. In a world of soulless CGI blockbusters, the
The late 1980s and early 1990s marked a golden age for Hong Kong cinema, a period characterized by untamed creativity, blending high-octane action with surreal fantasy and intense romance. At the pinnacle of this era stands , a trilogy directed by Ching Siu-tung and produced by the visionary Tsui Hark . The late 1980s and early 1990s marked a
