Clea Gaultier, as a name, carries the weight of performance. "Gaultier" is inseparable from fashion, from the costume of identity. To be a Gaultier is to understand that the self is a garment to be put on and taken off. If we imagine Clea as a fictional or semi-fictional figure—perhaps a cabaret singer in 1920s Montmartre or a contemporary Instagram influencer—her tragedy is the lack of an authentic core. She exists only in the gaze of others. Every photograph is a mask; every diary entry is written for a future reader. In the context of "La Villa De Little," Clea would be the restless ghost, forever rearranging the furniture but never feeling at home. She represents the anxiety of being seen without being known .

Clea Gaultier, a woman of impeccable taste and refinement, was known for her captivating presence and effortless charm. A socialite, artist, and muse, Gaultier's life was a masterpiece of creative expression. Her connection to La Villa De Little began in the 1960s, when she acquired the estate, transforming it into a haven for artists, writers, and intellectuals. The villa's walls became a canvas for her artistic endeavors, as she hosted salons, exhibitions, and performances that pushed the boundaries of conventional art.