Sade’s arrangements rely heavily on spatial dynamics—the silence between notes. In a FLAC file, the sudden burst of Stuart Matthewman’s saxophone in "Is It a Crime?" or the deep sub-bass drop in "No Ordinary Love" won't feel clipped or muddy.
Sade’s arrangements rely heavily on spatial dynamics—the silence between notes. In a FLAC file, the sudden burst of Stuart Matthewman’s saxophone in "Is It a Crime?" or the deep sub-bass drop in "No Ordinary Love" won't feel clipped or muddy.
