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Before understanding the book, one must first understand its creator. Eddie Harris (1934-1996) was far more than just a tenor saxophonist; he was a true musical polymath. Born in Chicago, Harris emerged as one of the most distinctive voices in jazz, known for his full-bodied tone, blues-drenched phrasing, and willingness to embrace technology.
While theoretically sound, this approach often results in a "vertical" style of improvisation. The soloist sounds as though they are navigating a series of hurdles, switching scales every time the chord changes. The musical output can become disjointed, lacking the narrative arc that characterizes the playing of masters like Lester Young or John Coltrane. Harris identified this cognitive overload as a barrier to genuine expression. He sought to "patch" this system, creating a workaround that prioritized the melodic line over the vertical stack of chord tones. eddie harris intervallistic concept pdf patched
The following physical editions are available through retailers like Sheet Music Plus and Charles Colin Music : Intervallistic Concept (Single Line Instruments) Before understanding the book, one must first understand
Published by Charles Colin in 1984, The Intervallistic Concept is a three-volume edition packed with hundreds of studies. The entire book spans 192 pages and is designed for saxophone, though its principles can apply to any single-line wind instrument. While theoretically sound, this approach often results in
: Communities like Saxontheweb.net often feature legal transcriptions, excerpts, and discussions of Harris's specific interval exercises.