Sone127 2021 Updated -

If you can tell me you were looking for (e.g., hair, clothes, furniture) or where you originally saw this term , I can help you find more accurate information or alternative creators.

Shakespeare’s speaker expresses a deep-seated irritation with the use of cosmetics. In the early 1600s, makeup was becoming more widely available to the masses, influencing people's perception of beauty. Women could "put on nature's power," using lead-based paints and other dangerous concoctions to whiten their skin and redden their lips. This commercialization of beauty is something the speaker decries. He admires his mistress precisely because she does participate in this. Her dark features are presented as a symbol of honesty and a return to natural, unadorned truth—a stark contrast to the "slandering of creation" by those who fake their appearance. sone127 2021 updated

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A major reason a 2021 release remains a viral search term is the ongoing work of independent localization groups. The Japanese adult industry primarily targets its domestic market, meaning official English translations are rare. Women could "put on nature's power," using lead-based

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In the old age black was not counted fair, Or if it were, it bore not beauty's name; But now is black beauty's successive heir, And beauty slander'd with a bastard shame: For since each hand hath put on nature's power, Fairing the foul with art's false borrow'd face, Sweet beauty hath no name, no holy bower, But is profaned, if not lives in disgrace. Therefore my mistress' eyes are raven black, Her eyes so suited, and they mourners seem At such who, not born fair, no beauty lack, Sland'ring creation with a false esteem: Yet so they mourn, becoming of their woe, That every tongue says beauty should look so.

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