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The industry has never shied away from dismantling rigid societal structures. Master filmmakers such as Adoor Gopalakrishnan and G. Aravindan used parallel cinema to dissect the decline of the feudal system ( marumakkathayam ), class struggles, and bureaucratic corruption. Films like Elippathayam (1981) captured the psychological rot of dying feudalism with haunting precision. mallu lesbian girl enjoying with her maid

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